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Art and Design: Graphic Design

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Graphic Design Resources

Digital collections of graphic design objects from museum, industry and university collections in the UK, North America and Australasia.

Online collections of graphic design history from outside the Anglophone world.

Search Primo for articles, books, ebooks, and streaming videos

Call numbers can also be used to search for books on the library catalog or in the stacks.  For graphic design, related call numbers include:

  • Drawing. Design. Illustration - NC1-1940
  • General works - NC703-725
  • Graphic art materials - NC845-915
  • Printed ephemera - 1280-1284
  • Commercial art. Advertising art - NC997-1003
  • Posters - NC1800-1850
  • Decoration and Ornament. Design - NK1160-1590

Top journals in the field of Visual Communication, Graphic Design, and Visual Culture are:

Notable Graphic Designers in History

Abram Games

Adrian Frutiger     

Alan Fletcher     

Alexey Brodovich     

Alvin Lustig     

April Greiman

Armin Hofman     

Bradbury Thompson     

Chip Kidd     

Cipe Pineles     

Claude Garamond     

David Carson     

El Lissitzky     

Erik Nitsche     

Erik Spiekermann

Fred Woodward

Herb Lubalin     

Hermann Zapf

Ivan Chermayeff     

Jacqueline Casey     

Jan Tschichold

John Maeda     

Josef Muller-Brockmann     

Ladislav Sutnar     

Lester Beall     

Louise Fili

Lucian Bernhard     

Margo Chase

Massimo Vignelli     

Matthew Carter

Max Miedinger     

Michael Bierut     

Milton Glaser     

Muriel Cooper     

Neville Brody

Otl Aicher     

Paul Rand     

Paula Scher

Peter Saville     

Saul Bass    

Seymour Chwast     

Stanley Morison

Stefan Sagmeister     

Susan Kare     

Tibor Kalman

Tobias Frere-Jones

William Golden     

Wolfgang Weingart     

Zuzana Licko

Ethical Use of Images

In addition to legalities, you should also strive to use images ethically. This means you should be careful to represent people and situations accurately while also considering personal privacy and reputation. When editing photos and adding them to your thesis, do not alter the meaning, content, or context of the images.

Many aid and social justice organizations have policies around the ethical use of images when working with or doing research with or about communities. These can be helpful to look at to get a sense of the importance of how to ethically, fairly, and appropriately represent individuals and communities. Some examples:

Checklists can help you think about your ethical responsibilities when using images. Use these checklists to help determine if your image use is fair and ethical.

Fair Use Checklists

Fair Use Analysis Checklist, Cornell University (pdf)  

Fair Use Checklist, Columbia University

You may encounter the below terms in your efforts to use images ethically and legally. Brief definitions and links to more information are included here.

Intellectual property

Creative products and results of intellectual work, including designs, images, symbols, art, and architecture.

For more information: World Intellectual Property Organization

Copyright

Legal right of creators to control how their works are used by others. Images may be subject to multiple copyright claims, inclucing claims by artists, photographers, designers, institutions, corporations, or others.  

Copyright Term

The period of time a work is covered by copyright. The copyright term is limited by copyright law.

For more information: Copyright Term and the Public Domain in the United States (Cornell University)

Public Domain

When a work is not covered by copyright (because the copyright term has expired, the creator has released the work, or the work was never copyrighted) it is in the public domain. The public then holds the rights to the work.

Fair Use

A provision in copyright law that allows for the use of copyrighted works under some specific circumstances and for particular purposes such as criticism, comment, scholarship, or research. Fair use is determined by the following four factors (from Chapter 1, Section 107 of the Copyright Law):

  • the purpose and character of the use, including whether such use is of a commercial nature or is for nonprofit educational purposes

  • the nature of the copyrighted work

  • the amount and substantiality of the portion used in relation to the copyrighted work as a whole

  • the effect of the use upon the potential market for or value of the copyrighted work

Open Access

"Free and unrestricted online availability," according to the Budapest Open Access Initiative. Open Access images are typically images that archives, libraries, museums, or copyright holders have chosen to make available online without restrictions on distribution or reuse. 

 More definitions

US Copyright Office FAQ Definitions

US Copyright Office Definitions

AI-generated images bring a whole new dimension to the fields of art, photography, advertising, design:

Questions arise about how to cite AI-generated images, and also about the ethical and even legal implications of AI accessing the work of visual artists online and using it, not necessarily with permission, as the basis for AI-generated art.

The University of Victoria Libraries has put together a useful guide to AI and images. The guide addresses how to cite AI-generated images in APA and other styles, as well as licensing and technical details of popular AI-art tools like DALL-E 2.

AI and Art Creation

Ethical Issues with art-generating AI

Copyright and AI

Is it okay to use copyrighted images and materials to train AI? This is still up for debate.

Creative Commons says yes: Fair Use: Training Generative AI

The Copyright Alliance says maybe not: Does the Use of Copyrighted Works to Train AI Qualify as a Fair Use?

Useful Websites--under construction--please suggest links!

Ask me, your librarian!

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Sarah Myers
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Contact:
Murray Library, Behind Circulation
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717.766.2511 x. 3590